A-Bombs, Yoshiko, and the Futile Fight


We’ve been watching videos in World Since 1945 about nuclear bombs and the effects they have, from explosion to fallout. It’s pretty gruesome and scary, so reading about how Gunnar wants the A-bomb to drop on them is like really? But I guess the point is they just want to die, no one’s thinking about blood radiation poisoning or agricultural collapse.

Gunnar really became something. At the beginning I thought he was a scrawny little kid with a resilient sense of humor who just wanted to make friends. He worked so hard to fit in. By the end of the book, he couldn’t have cared less about fitting in. It was impossible for him to—he was above everyone else, so he had no place among them on their level. He never actually fit in in the first place. With the basketball group he immediately became the best. In the gang he did things on his own terms. In school he was so elevated that nothing could touch him. His only group is his two close friends Scoby and Psycho Loco. Eventually Yoshiko came in too. But he has no peers. Just pointing out, his only three friends are all different ethnicities--does that mean anything? Also, can we talk about Yoshiko? I hope someone writes a blog post explaining her because I’m flummoxed. I couldn’t believe what I was reading—in my mind Gunnar was still so young and then all of a sudden Psycho Loco of all people orders him a bride and he accepts. What was Psycho thinking? Maybe through careful observation of his friend he saw a need in Gunnar, a need for unwavering community when none on earth were good enough—so, wife. At first we were all like what on earth, this is not going to go well, she’s just out for a green card, but then they had love at first sight. Another layer of unreality in this book. Yoshiko was somehow his soul mate. What are the chances? She’s like a female Gunnar. Both of them are so different from everyone else, and better too. I mean, she quadruple majored. I died. Where do you think Yoshiko came from and how do you explain her relationship with Gunnar?

Gunnar glides above the rest of society. He can literally do whatever he wants. It’s true that he got there because of his supernatural talents, but everything’s still kinda trippy. Police don’t touch him because he’s a poet. No one tries to stop him from influencing thousands of people to die. Gunnar doesn’t care about life or death anymore. Maybe he did at one point. It’s like his incredible success is what ruined his life in the end. We are all a bit like young Gunnar Kaufman, scurrying around and trying to fit in, trying to be the best at what we do. Gunnar actually achieved that—he’s the best. Standing there at the top, he then had the view to see that nothing matters. You reach the top and you realize you’re just as low as you were before. People still don’t care, your skin still incites certain perceptions, and you still have to strive for love like every man. Most of us spend our whole lives chasing the best for ourselves, wanting success and fame and everything, and we think that once we have such and such, our life will be complete. Here’s Gunnar to tell us that it won’t be. In fact, it’s probably better for us if we never achieve our goals, because then we’ll always have motivation to keep on going. Almost there, almost have it! I’ve worked so incredibly hard and I’m so tired but it’ll all be worth it in the end. The delusion sustains us. Without it, life would be pretty empty. We’d realize the fight is futile. At least if we’re still striving for something, we can always tell ourselves the reason I can’t do such and such or the reason so and so treats me like that is because I haven’t fulfilled my goals and so it makes sense, it's not because of my x,y,z, but Gunnar’s showing us that no, it doesn’t matter what you do, life is inherently fucked up on so many levels which no one, no one, can ever hope to make any semblance of sense of and because of that fact, you are labeled by the things about you that you did not choose or make or achieve and nothing will change that. In that context, the ending makes sense. The fight is impossible, Psycho Loco. The only options are to strangle your soul and hang your head and resign yourself to the reality, or commit mass suicide.

Comments

  1. I also found it pretty weird that Gunner got married to a mail-order bride, but Yoshiko ended up being an awesome character. The ideas you mention sort of remind me of the poem I did my poetry reading on - Is It Because I Am Black? by Joseph Seamon Cotter Jr. He talks one way and he gets infantilized, or another way and he's sneered at - there is no winning. I guess if you can't win then the fight really is impossible so why not just commit mass suicide like Gunner says.

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  2. The idea of what a nuclear bomb would do is really interesting, I had only really thought of it as a method for Gunnar and followers to die and not of the consequences. The area would be irradiated and anyone nearby that didn't just die would probably have long term illnesses and the land would be virtually useless for agriculture for a very long time. The whole point of a nuclear bomb is that beyond the big explosion it leaves traces that poison the area for decades, similar to how discrimination is a huge problem when it's happening but also results in long term consequences that can continue on for generations.

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  3. I, too, was so shocked when Yoshiko entered the picture and ended up being like, totally perfect for Gunnar. She was a mail-order bride, yet she's SO funny and badass and she and Gunnar actually seem genuinely in love, which contradicts many of our ideas about these kinds of endeavors. I also find it interesting how Gunnar decides on the A-bomb that was meant for Japan, while his wife is literally Japanese. I wonder if, because she's so like him, she has some beliefs of "life is futile, why don't I just give up" in her.

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  4. I'm curious about the fusion of Japanese culture and American culture later in the book. How did Beatty come up with the idea of translating the Japanese concept of hara-kiri into contemporary Black America? It seems like Japanese cultural influence comes up in a lot of unexpected places, and I'd have to study more about it to understand all the layers of White Boy Shuffle.

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  5. Amen to that. First of all, he doesn't study attend the classes at all and then he still scores highly on the SAT/ACT or whatever testing he had to do to get into college. The way that Beatty shows that you can have everything that you might have thought you wanted, but you still will be treated differently because of how you look is very enticing. This is still a problem today and it is similar to how Black people have to do double the effort to be seen as good or taken seriously in the academic perspective. Additionally, humans will always find something else to differentiate themselves by. If it's not race, it's gender, if it's not that, it's sexuality. Beatty is showing that there are still problems going on in the world, even if a person doesn't know that they are contributing to that problem. In this case, ignorance is not bliss.

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  6. I love this interpretation of the ending and how much it resonates with society and the time of year it is. We're all so worried about grades and doing well and good colleges and getting ahead in life but what really is life when all that is stripped away? What does it all amount to? Happiness? not if that's your only focus, and i think that is what Gunnar is pointing out - his life has been made to focus so much on being good at basketball and poetry, but it doesn't hold any meaning for him. When those things are stripped away, what makes him happy? It seems like the answer towards the end is not much.

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